12/23/2023 0 Comments A closer look at silo cityWe heard stories about grain mill workers who dedicated their lives to the industry and worked hard, often in dangerous conditions to make a life for themselves and their families. The entire time we eagerly listened to anecdotes about the methods used to store, tend to and transfer grain. After we snapped tons of photos so that we could show our friends, we then walked across a covered bridge connecting American to the smaller “Perot” complex and malt house where barley was once malted for beer. The vantage point from the top is breathtaking – offering sweeping views of the Buffalo River and the entirety of Silo City and Elevator Alley. We steadily climbed to the top of “American,” the first and oldest grain elevator in Buffalo. We were transported back to 1906 when Buffalo was the world’s largest grain port. With flashlights and smartphones in hand we stood in the middle of four concrete giants, each of us looking up in complete awe of their towering presence. One might not consider the inner workings of a 109-year-old grain elevator particularly intriguing, but after spending two and a half hours with Explore Buffalo tour guides Ron and Helen and six new-found history-seeking friends, I had a much different perspective. The folks from Explore Buffalo have put together some pretty incredible tours, one of which is a Silo City Vertical Tour that takes you 100 feet up and into a part of Buffalo’s past. Participating artists: Click HERE to view project and full bio details.ĪrtIndustria+, Continuous Monument, Akasya Crosier, Catherine Parayre, Catherine Parayre and Jim Watkins, Lauren Regier, Reinhard Reitzenstein, Casey Ridings, Cody Schriever, Shawn Serfas, Lucas Veraldi, Sophia Yung, Jean Zhu.I had a little help of course. The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim WatkinsĬurators: Catherine Parayre, Reinhard ReitzensteinĬlick here to download the performance program.įor more images and information, please visit the exhibition website. Catharines will document and revive the exhibition on September 23, 2017. We will capture the brilliance of a moment.Ī follow-up one-day symposium at Rodman Hall Art Centre, St. We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours. Here, however, the workers are gone the buildings are exposed to inclement weather the projects we bring with us will disappear, be dispersed or displaced. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Together, we want to reflect on the notion of dispersal. Coming from different places and practices, we wish to foster interdisciplinarity. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara Riverīuffalo, New York and St. Post-Industrial Ephemera: Soundings, Gestures and Poetics
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